Recursos

• Change in Contemporary English
• Bad Godots
• Ruin Ecology
• Translating His-stories
• Wallace Stevens and the Poetics of Modernist Autonomy
• Books for Children, Books for Adults
• Standardising English Spelling
• Musicking Shakespeare
• The Third Part of King Henry VI
• Dante: The Divine Comedy
• The Concept of Nature in Early Modern English Literature
• Shakespeare on the University Stage
• Literary Englands
• My Long Life
• The Complete Story of the Grail
• Author's Pen and Actor's Voice
• The Literature of Weimar Classicism
• The Old English Martyrology
• American Poetry and the First World War
• James Joyce, Ulysses, and the Construction of Jewish Identity
• Thomas Stearns Eliot: Poet
• John Ashbery and American poetry
• Crafting Poetry Anthologies in Renaissance England
• Bulgakov's Last Decade
• Spoken Threats from Production to Perception
• Literary Criticism from Plato to Postmodernism
• Richard Rorty
• The Life and Typography of William Caxton, England's First Printer
• Sociolinguistic Fieldwork
• Memoirs of Doctor Burney
• Unveiling Lady Scott
• Reading John Keats
• The Lesser-Known Varieties of English
• Haunting History Onstage
• Marriage, Gender, and Desire in Early Enlightenment German Comedy
• Housebound
• Irish Literature in Transition, 1940–1980
• A Companion to Gabriel García Márquez
• The Letters of Oliver Goldsmith
• Corpus Pragmatics
• Representing Beasts in Early Medieval England and Scandinavia
• A Handbook of the Cornish Language
• Literary Exophonic Translation
• The Shapes of Stories
• Standardising English
• Djuna Barnes and Affective Modernism
• Modernism and World War II
• Through England on a Side Saddle
• The Communicative Event in the Works of Günter Grass
• Language and Gesture