Recursos

• An Introduction to Greek Tragedy
• Nolten the Painter
• Counterpoetics of Modernity
• The Uncertain World of 'Samson Agonistes'
• English Words
• Opera in the Age of Rousseau
• The Works of John Ruskin
• Irish Romanticism
• Language and Politics
• Crime Fiction and Ecology
• Language, Cohesion and Form
• Aimé Césaire
• Language Policy in Action
• Swift in Print
• Nonconformist Writing in Nazi Germany
• Creative Classical Translation
• The European Encyclopedia
• German Romance III
• A Companion to Chrétien de Troyes
• New Directions in Later Medieval Manuscript Studies
• Dionysius: The Epic Fragments
• Byron and the Poetics of Adversity
• Analyzing Narrative
• Language and Justice
• Codex Diplomaticus Aevi Saxonici
• Women's Power in Late Medieval Romance
• Using Russian Synonyms
• Law and Empire in English Renaissance Literature
• Multimodal Conduct in the Law
• The Acquisition of Celtic Languages
• Twentieth-Century Victorian
• Jorge Manrique's 'Coplas por la muerte de su padre'
• Listening for Theatrical Form in Early Modern England
• Marvell's Ambivalence
• Daniel Defoe
• Charles Dickens as I Knew Him
• William James and Literary Studies
• Linguistic Evolution
• Insects and the Enlightenment
• Debating with Demons
• Machado de Assis
• The Upstart Earl
• American Slaves in Victorian England
• Not Just in Time
• Hemingway, Style, and the Art of Emotion
• Luis de Camões
• Sleep No More and the Discourses of Shakespeare Performance
• The End-Times in Medieval German Literature
• Apposition in Contemporary English
• Shakespeare and Virtual Reality