Recursos

• American Literature in Transition, 1970–1980
• The Syntax of German
• Features
• Dilemmas
• Vagrancy in the Victorian Age
• Vergleichungstafeln der europaïschen Stamm-Sprachen und Süd-, West- Asiatischer
• The Travel Writings of Marguerite Blessington
• Language in the Brain
• Literature, Language, and the Rise of the Intellectual Disciplines in Britain, 1680–1820
• The Cambridge Introduction to Shakespeare
• Melville and the Idea of Blackness
• New York and Toronto Novels after Postmodernism
• Nightmare Abbey'
• Scotland and the Fictions of Geography
• English Auxiliaries
• The Cambridge Handbook of Language Contact
• Adversaria
• The Market Logics of Contemporary Fiction
• Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing
• Heritage Languages and their Speakers
• Pliny's Women
• Justice and Difference in the Works of Rousseau
• Empirical Knowledge in the Eighteenth-Century Novel
• The Poetry of Alfonso X
• The Historical Phonology of Tibetan, Burmese, and Chinese
• Linguistic Semantics
• Clowning and Authorship in Early Modern Theatre
• The Conte du Graal Cycle
• Entertaining Uncertainty in the Early Modern Theater
• Women and National Socialism in Postwar German Literature
• Things and Stuff
• Liminality in Cuba's Twentieth-Century Identity
• Shakespeare: Hamlet
• The Cambridge Handbook of Language Contact
• The Gothic Literature and History of New England
• Speakers, Listeners and Communication
• War and American Literature
• A Poet's Reich
• The Short Story in German in the Twenty-First Century
• Modernist Voyages
• The Constitution of Shelley's Poetry
• Transatlantic Transcendentalism
• A Grand Army of Black Men
• Aelfric's Life of Saint Basil the Great
• Exploring the Syntax-Semantics Interface
• Multilingualism in the Graeco-Roman Worlds
• May Sinclair
• Reinventing Medieval Liturgy in Victorian England
• Cartularium Saxonicum
• Camus: The Stranger