Recursos

• Benjamin Britten Studies: Essays on An Inexplicit Art
• Musical Biography
• Musical Performance
• Performing Nationalism in Russia
• Romanticism and Caricature
• Oxoniensia
• Memoirs of the Life of the Right Honourable Richard Brinsley Sheridan
• Memorials of Edinburgh in the Olden Time
• Memoirs of Mrs Siddons
• Timber!
• Letters and Diaries of Kathleen Ferrier
• Democracy, Theatre and Performance
• Transforming the Church Interior in Renaissance Florence
• Rome in the Eighth Century
• Senkatana
• Ancient Greek History and Contemporary Social Science
• The Chamber Cantatas of Antonio Vivaldi
• The Young Leonardo
• Music at German Courts, 1715–1760
• Intimate Entanglements in the Ethnography of Performance
• The Life of Franz Schubert
• History of English Drama 1660–1900
• Colonial Writing and the New World, 1583–1671
• Theorie der musischen Künste der Hellenen
• Vorschule der Aesthetik
• Musical Theater in Eighteenth-Century Parma
• Lionel Tertis
• Britten's Donne, Hardy and Blake Songs
• Women and Music in Ireland
• Music and Power at the Court of Louis XIII
• The Great Gatsby: The 1926 Broadway Script
• Mendelssohn and the Genesis of the Protestant A Cappella Movement
• The Present State of Music in Germany, the Netherlands, and United Provinces
• The Substance of Things Heard
• St. Paul's Outside the Walls
• Lennox Berkeley and Friends
• Common spaces of urban emancipation
• Richard Wagner
• Writing the History of the British Stage
• The Mythological Origins of Renaissance Florence
• Vikram Seth
• Haydn's Minuets and Eighteenth-Century Dance
• Emma Rice's Feminist Acts of Love
• Art's Visionary Moment
• The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style
• Theater outside Athens
• The Life and Letters of Washington Allston
• Rethinking Hanslick
• Wagner and his Isolde
• Sexual Politics in the Work of Tennessee Williams