Recursos

• The Cross, the Gospels, and the Work of Art in the Carolingian Age
• The Politics of Association in Hellenistic Rhodes
• The Life of Schubert
• Thomas Nashe and literary performance
• Luigi Nono
• The Romantic Overture and Musical Form from Rossini to Wagner
• Othmar Schoeck
• Performative Opacity in the Work of Isabelle Huppert
• Ernest John Moeran
• The New Comedy of Greece and Rome
• The Archives and Afterlives of Nautch Dancers in India
• Wagner in Context
• The Stagecraft and Performance of Roman Comedy
• Arthur Miller
• The Works of Sir Joshua Reynolds
• Worlds of the ring
• Music Criticism in Nineteenth-Century France
• Ignaz Moscheles and the Changing World of Musical Europe
• A History of the Gothic Revival
• Brahms's Elegies
• The Victorian Novel and the Space of Art
• Erik Satie
• Sentimental Opera
• Retail Ruins
• Christ on a Donkey – Palm Sunday, Triumphal Entries, and Blasphemous Pageants
• Life and Letters of Sir Charles Hallé
• British Musical Modernism
• Britten's Unquiet Pasts
• The Idea of the Castle in Medieval England
• The Sea on Fire: Jean Barraqué
• Monteverdi
• Carlo Borromeo and the Sacred Image in Sixteenth-Century Italy
• Hugo Riemann and the Birth of Modern Musical Thought
• Autobiographical Recollections
• August Halm
• The Final Curtain
• The Cambridge Introduction to Theatre Studies
• IB Music Revision Guide 2nd Edition
• The Collected Works of William Morris
• Playing the Chorus in Greek Tragedy
• Not Russian Enough?
• William Alwyn
• Menander in Antiquity
• The Formal Garden in England
• Playwriting, Dramaturgy and Space
• A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic, 1831–1851
• The Symphonic Poem in Britain, 1850–1950
• Writing and the Modern Stage
• The Cambridge Guide to World Theatre History
• And the Shark, He Has Teeth