Recursos

• Good Music for a Free People
• Early Keyboard Instruments
• Restless Infections
• The Correspondence of Richard Bentley
• Engaging Haydn
• The Sainte-Chapelle and the Construction of Sacral Monarchy
• Yul Brynner
• Painting, Ethics, and Aesthetics in Rome
• Debating English Music in the Long Nineteenth Century
• The Transvestite Achilles
• The Cambridge Introduction to Theatre Directing
• The Saxophone Symposium
• Composing Myself
• Transformations of Musical Modernism
• Fight the Power
• A Companion to Sound in German-Speaking Cultures
• Lifework
• Nine Years in Nipon
• The African American Theatrical Body
• The Collected Works of William Morris
• A Grammar of Music
• Re-Assessing the Global Turn in Medieval Art History
• Ernest Newman
• The photobook world
• James MacMillan Studies
• My Museum, a Museum about Me
• Cultural Theory in the Films of Alfred Hitchcock
• Central Cambridge
• Carmen' Abroad
• Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776, on Several Parts of Great Britain
• Lies and Epiphanies
• Schoenberg in Context
• Memoirs of Mrs Siddons
• Scoring Race
• Decolonising African Theatre
• Souvenirs of Madame Vigée Le Brun
• Jazz Italian Style
• Music and Fantasy in the Age of Berlioz
• Censorship of the American Theatre in the Twentieth Century
• Shakespeare's Double Plays
• Architecture and Material Politics in the Fifteenth-century Ottoman Empire
• The Musical Madhouse
• Contemporary Black and Asian Women Playwrights in Britain
• Building reputations
• Playing with History
• A General History of the Science and Practice of Music
• The Architecture of the Christian Holy Land
• Music and Philosophy in the Roman Empire
• Mendelssohn, the Organ, and the Music of the Past
• The Ballad in American Popular Music