Recursos

• Narratives of Identity in Alban Berg's 'Lulu'
• Costume in the Comedies of Aristophanes
• The Blue Monster (Il Mostro Turchino)
• Musical Journeys: Performing Migration in Twentieth-Century Music
• Messiaen in Context
• American Horror Story and Cult Television
• The Spectral Piano
• Composing Apartheid
• The Works of Sir Joshua Reynolds
• The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
• Early Recordings and Musical Style
• Liszt's Representation of Instrumental Sounds on the Piano
• The Creative Worlds of Joseph Joachim
• A History of Welsh Music
• The Queerness of Video Game Music
• Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1772, on Several Parts of England
• Die musik des griechischen alterthumes
• The Associated Board of the Royal Schools of Music
• Classical Music in the German Democratic Republic
• Whose Land Is Our Land?
• More Leaves from a Life
• The Music of Simon Holt
• French Gothic Ivories
• Original Pirate Material
• Hidden Music
• Technology and the Diva
• Aesthetics and Ethics
• The Music of Luigi Dallapiccola
• Shared Listenings
• Theatre and Empowerment
• A History of the Berliner Ensemble
• The Living Icon in Byzantium and Italy
• Susan Glaspell in Context
• Music and Metamorphosis in Graeco-Roman Thought
• Robert Lepage’s original stage productions
• A Treatise on Harmony
• Modern German Music
• The Globalization of Theatre 1870–1930
• Molière in Context
• Richard Strauss in Context
• A Dictionary of Musicians, from the Earliest Ages to the Present Time
• Sacred and Legendary Art
• Leokadiya Kashperova
• Music and Education
• Pierre Boulez Studies
• Chopin: The Piano Concertos
• After Wagner
• The Origin and Development of Dougong and Zaojing in Early China
• Erik Chisholm, Scottish Modernist (1904-1965)
• Dante Gabriel Rossetti