Recursos

• Beethoven's Ninth Symphony
• Heinrich Schenker's Conception of Harmony
• A Treatise on the Decorative Part of Civil Architecture
• The Dawn of Music Semiology
• An Apology for the Life of Mr Colley Cibber, Comedian and Late Patentee of the Theatre Royal
• Liszt in Context
• The Guitar in Tudor England
• Music in Edwardian London
• Staging 'Euridice'
• Shakespeare, Technicity, Theatre
• Passionate Playgoing in Early Modern England
• Harmony in Beethoven
• Musica Getutscht
• The Edinburgh Companion to Don DeLillo and the Arts
• Richard Wagner's Beethoven (1870)
• Star Turns and Cameo Appearances
• The Karl Muck Scandal
• An Essay upon Prints
• Theatres of Autofiction
• Mahler's Nietzsche
• The Early Violin and Viola
• Wall Painting, Civic Ceremony, and Sacred Space in Early Renaissance Italy
• A Dictionary of Music and Musicians (A.D. 1450–1880)
• Nancy and Visual Culture
• Martinu and the Symphony
• Early Performers and Performance in the Northeast of England
• Concepts of Creativity in Seventeenth-Century England
• A Medieval Songbook
• The Collected Works of William Morris
• Putting Popular Music in its Place
• A Marvel to Behold': Gold and Silver at the Court of Henry VIII
• State of the Arts
• British Musical Biography
• Venanzio Rauzzini in Britain
• Haydn's 'Farewell' Symphony and the Idea of Classical Style
• Tippett Studies
• Memoirs of the Life and Works of George Romney
• The Festival of India
• A Critical Companion to Medieval Motets
• Brian Friel, Ireland, and The North
• Rossini and his School
• The Cult of the Virgin Mary in Medieval Italy
• Victorian touring actresses
• Satire in an Age of Realism
• The New Vienna School of Art History
• Beethoven's Letters
• Accompanied Voices
• August Strindberg: Selected Essays
• The Collected Works of William Morris
• A History of Pianoforte Pedalling