Recursos

• Performance and Modernity
• Medieval Clothing and Textiles
• The Brecht Yearbook / Das Brecht-Jahrbuch 44
• Music in Goethe's 'Faust'
• Ernst Kurth: Selected Writings
• North East Indian Linguistics
• Harry Partch, Hobo Composer
• Summary of the History and Development of Medieval and Modern European Music
• Solo Dance in Archaic and Classical Greek Literature
• Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1776, on Several Parts of Great Britain
• Madama Butterfly/Madamu Batafurai'
• Detroit after Bankruptcy
• Treasures of Art in Great Britain
• The Times Do Not Permit
• The Collected Works of William Morris
• Nollekens and his Times
• Aesthetics and the Art of Musical Composition in the German Enlightenment
• Psyche and Eros
• Haydn Studies 2
• Conducting for a New Era
• Threads of globalization
• Music Transforming Conflict
• Conversion Machines
• The Music of Nature
• Nadia Boulanger
• E. M. Forster and Music
• The Intellectual World of Sixteenth-Century Florence
• Mendelssohn
• Electronic Music
• Thomas Adès Studies
• Female Singers on the French Stage, 1830–1848
• Pontormo and the Art of Devotion in Renaissance Italy
• The Mirror of Art
• British Art and the First World War, 1914–1924
• The Jew, the Cathedral and the Medieval City
• A History of Herat
• Performing the testimonial
• Belarusian Theatre and the 2020 Pro-Democracy Protests
• Ibsen in Context
• The Science of Gems, Jewels, Coins and Medals, Ancient and Modern
• Treasures of Art in Great Britain
• English Choral Practice, 1400–1650
• The Sounds of Paris in Verdi's La traviata
• The Music and Music Theory of Paul Hindemith
• Knowing Britten
• Bluestockings Displayed
• Madrid on the move
• Russian Orientalism in a global context
• Haydn
• Memoirs of Doctor Burney