Recursos

• Memorials of Edward Burne-Jones
• Lectures on Musical Life
• Looking for the 'Harp' Quartet
• Delius and Norway
• Lettera amorosa'
• The Life and Letters of Joseph Severn
• Adolf Busch
• “I am Jugoslovenka!”
• Convent Music and Politics in Eighteenth-Century Vienna
• The Art of Resistance in Islam
• Expressionism and Modernism in the American Theatre
• French Music, Culture, and National Identity, 1870-1939
• A Glossary of Terms Used in Grecian, Roman, Italian, and Gothic Architecture
• Theorie der musischen Künste der Hellenen
• The Art of Queenship in the Hellenistic World
• Music into Fiction
• The art of darkness
• The Reading Figure in Irish Art in the Long Nineteenth Century
• The Songs of Jean Sibelius
• White Aborigines
• East Anglian Church Porches and their Medieval Context
• Remarks on the Architecture of the Middle Ages
• Nielsen: Symphony No. 5
• The Villa Farnesina
• Performative Analysis
• A Semiotic Approach to Open Notations
• The Songs of Clara Schumann
• Some Account of Domestic Architecture in England
• Singing for the Million
• A Letter to H. Repton, Esq., on the Application of the Practice as Well as the Principles of Landscape-Painting to Landscape-Gardening
• The Recollections and Reflections of J. R. Planché
• The National Music of the World
• Roman Republican Theatre
• The First Frame
• Australian Theatre, Modernism and Patrick White
• Dane Rudhyar
• The Making of Victorian Drama
• The Refrain and the Rise of the Vernacular in Medieval French Music and Poetry
• The Politics of Opera in Handel's Britain
• The wood engravers’ self-portrait
• The Boyce Papers
• Personal Reminiscences of Henry Irving
• The Photography of Victorian Scotland
• Reflections of an American Harpsichordist
• Debussy in Context
• Memoirs of the Life of John Philip Kemble, Esq.
• Fresh Leaves and Green Pastures
• Voices of Ghana
• Stravinsky: Oedipus Rex
• Theatre, activism, subjectivity