Recursos

• The Age of Mozart and Beethoven
• Autobiographical Recollections
• Nietzsche's Philosophy of Art
• The Guitar in Stuart England
• Affordable Housing in US Shrinking Cities
• Rome in the Tenth Century
• Tour of a German Artist in England
• Self-Quotation in Schubert
• Greek Theatre Performance
• Gluck and the Opera
• The Developmental Psychology of Music
• Instrumental Music in an Age of Sociability
• The Bewick Collector
• A History of Music in the Czech Lands
• Isidlamlilo / The Fire Eater'
• The Cambridge Portfolio
• Contrasts
• The Drama of John Marston
• The Culture of Slander in Early Modern England
• The Supernatural Voice
• Emotion, Mission, Architecture
• The 'Domus Aurea 'and the Roman Architectural Revolution
• On the Principles and Practice of Conducting
• The Sea in the British Musical Imagination
• Lauren Gunderson and Feminist Theatre in the Twenty-First Century
• Measuring Library Performance
• Approaches to Death and Dying
• Bach and the Pedal Clavichord
• Film Music in Concert
• Albrecht Dürer’s material world
• Wagner's Musical Prose
• Jacke Jugeler
• Learning through Images in the Italian Renaissance
• Suffolk and Norfolk
• The Art of the Anglo-Saxon Goldsmith
• Pirandello in Context
• Bach's Numbers
• Jocelin of Wells
• A General History of Music
• Copyright's Excess
• Parisian Music-Hall Ballet, 1871-1913
• The Cambridge Introduction to Performance Theory
• Shakespeare and the Visual Imagination
• Music and Faith
• Masters of German Music
• Schumann's Piano Cycles and the Novels of Jean Paul
• A History of Japanese Theatre
• A Guide to Biblical Hebrew Syntax
• Late Medieval Lodging Ranges
• Staging Haiti in Nineteenth-Century America