Recursos

• Anglo-American Interplay in Recent Drama
• Mozart's Viennese Instrumental Music
• Choral Music on Record
• The Strasbourg 'Cantiones' of 1539
• Theology, Music and Time
• Liberal Lives and Activist Repertoires
• G. F. Watts
• Greek Comedy and the Discourse of Genres
• On the Sensations of Tone as a Physiological Basis for the Theory of Music
• Political Beethoven
• The Philosophy of Music
• Hans Richter
• Richard Wagner in Paris
• American Drama
• The Collected Works of William Morris
• The Collected Works of William Morris
• The Life of Sir David Wilkie
• A General History of the Science and Practice of Music
• The Tämpitaviharas of Sri Lanka
• Letters of an Architect from France, Italy and Greece
• Aaron Copland's Hollywood Film Scores
• Mozart: Clarinet Concerto
• Music and Musical Composition at the American Academy in Rome
• The Embodiment and Transmission of Ghanaian Kete Royal Dance
• The Lives of George Frideric Handel
• History of English Drama, 1660–1900
• Music, Morality and Social Reform in Nineteenth-Century Britain
• Half a Century of Music in England, 1837–1887
• The Social Logic of Space
• Brahms and His Poets
• The Career of an Eighteenth-Century Kapellmeister
• Seeing Color in Classical Art
• The Life of Sir David Wilkie
• The architecture of social reform
• Memoirs of Rossini
• Schubert's Late Music
• Choral Mediations in Greek Tragedy
• Johann Joachim Winckelmann on Art, Architecture, and Archaeology
• Virtuosity and the Musical Work
• Suppressed Composers in the Netherlands
• Screen Acting
• Leaves from the Journals of Sir George Smart
• Performing Greek Comedy
• Histories of Heinrich Schütz
• Acts of Activism
• Maddalena Casulana
• Musical Analyses and Musical Exegesis
• Heinrich Neuhaus
• Yeats and Revisionism
• Songs of the Nativity