Recursos

• An Historical Essay on Architecture
• Polyphony in Medieval Paris
• El Teatro Pánico de Fernando Arrabal
• Oxoniensia
• Of the Decorative Illustration of Books Old and New
• The Polyphonic Mass in France, 1600–1780
• Music behind the Iron Curtain
• From Boulanger to Stockhausen
• Nollekens and his Times
• A Short Historical Account of the Degrees in Music at Oxford and Cambridge
• Leon Battista Alberti: 'On Painting'
• Some Reminiscences
• The Musicology of Record Production
• Aesthetic Experiences and Classical Antiquity
• Fundamentals of Planning Cities for Healthy Living
• The Works of John Ruskin
• You Strike a Woman, You Strike a Rock / Wathint' Abafazi, Wathint' Imbokotho
• The Clarinet
• Letters of Richard Wagner to Emil Heckel
• Plague and Music in the Renaissance
• The Holy Land
• Vorschule der Aesthetik
• Precarious objects
• Ancient Greek Music
• Racism on the Victorian Stage
• A New History of Theatre in France
• Postmodernity's Musical Pasts
• Urban Spectacle in Republican Milan
• The senses in interior design
• Dedicating Music, 1785–1850
• Autobiography of Hector Berlioz
• Beethoven: The 'Moonlight' and other Sonatas, Op. 27 and Op. 31
• The Musical Relationship between Claude Debussy and Igor Stravinsky
• Ernest Bloch Studies
• Style and Meaning in Late Antique Art
• Haydn: String Quartets, Op. 50
• Beckett's Art of Salvage
• Essays on the History of English Music in Honour of John Caldwell
• Richard Wagner
• Music in Twentieth-Century Oxford
• Music in Independent Schools
• Performing Urban Ecologies
• Rock Guitar Virtuosos
• Memorials of Cambridge
• Music in Germany since 1968
• The Science of Harmonics in Classical Greece
• On Beckett
• Inscriptions of the Medieval Islamic World
• Prints and the Landscape Garden
• The Dancing Body in Renaissance Choreography