Recursos

• Irony and the Modern Theatre
• Foundations of Music History
• Writing and Heritage in Contemporary Spain
• Vienna
• The Brecht Yearbook / Das Brecht-Jahrbuch 41
• Marchesi and Music
• Herbarium
• Encounters with British Composers
• Memoirs of Antonio Canova
• Stone Fidelity
• The Life of Haydn, in a Series of Letters Written at Vienna
• Some Ancient Christmas Carols, with the Tunes to Which They Were Formerly Sung in the West of England
• Rebuilding St. Paul's Outside the Walls
• The Music of Carl Philipp Emanuel Bach
• The Idea of Art Music in a Commercial World, 1800-1930
• Tonpsychologie
• Tikopia Songs
• The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe
• Tippett: A Child of our Time
• The Collected Works of William Morris
• Digital Technologies, Smart Cities, and the Environment
• Memoir of Madame Jenny Lind-Goldschmidt
• Music, Senior Centers, and Quality of Life
• Emilio Fernández
• The History of Modern Music
• My Recollections of Felix Mendelssohn-Bartholdy, and his Letters to Me
• Theorizing the Avant-Garde
• Precarious spectatorship
• “Why Aren't They Talking?”
• The Whistling Blackbird
• Strategies of Political Theatre
• Tempo and Tactus in the German Baroque
• The Art Collector in Early Modern Italy
• Radio / body
• The Modern Brass Ensemble in Twentieth-Century Britain
• Reforming Art in Renaissance Venice
• Ulwembu
• Art and knowledge after 1900
• The Works of John Ruskin
• Imagining Anglo-Saxon England
• The Motet in the Age of Du Fay
• Georgian Gothic
• Allegri's 'Miserere' in the Sistine Chapel
• Governing Complex City-Regions in the Twenty-First Century
• Elliott Carter Studies
• Hindu Music from Various Authors
• The Autobiography of Edward, Lord Herbert of Cherbury
• Insular Iconographies
• Ives: Concord Sonata
• The Orchestral Music of Michael Tippett