Recursos

• Kitty Clive, or the Fair Songster
• Ballad Business
• The Troyes Mémoire
• Berlioz's Orchestration Treatise
• Musical Encounters at the 1889 Paris World's Fair
• Songs for a Revolution
• Alphons Diepenbrock
• A History of Theatre in Spain
• An Artist's Reminiscences
• Schenker Studies 2
• Weill, Blitzstein, and Bernstein
• Rethinking Urbanism
• Cities and Communities Beyond COVID-19
• A Dictionary of Irish Artists
• Measure
• Pop Art and the Origins of Post-Modernism
• Friedelind Wagner
• Mariachi in the Twenty-First Century
• The Structure and Performance of Euripides' 'Helen'
• Sites of Performance
• The Cult of the Avant-Garde Artist
• Berlioz Studies
• Why Study the Middle Ages?
• Music at a Florentine Convent
• Theatre Matters
• Supports in Roman Marble Sculpture
• Elisabeth Lutyens and Edward Clark
• The memory of catastrophe
• Delius and the Sound of Place
• George Herbert and Early Modern Musical Culture
• The Practice of Performance
• The Cambridge Introduction to Theatre and Literature of the Absurd
• Chopin: The Four Ballades
• The Jewish Ghetto and the Visual Imagination of Early Modern Venice
• Reimagine to Revitalise
• Béla Bartók in Italy
• Musical Salon Culture in the Long Nineteenth Century
• Performance and Culture in Plato's 'Laws'
• The Twelve-Note Music of Anton Webern
• A History of the Royal Society of Arts
• Coquettes, Wives, and Widows
• History of Indian and Eastern Architecture
• Life of Mozart
• Gerald Finzi's Letters, 1915-1956
• Rediscovering Lost Landscapes
• Masquerade and Money in Urban Nigeria
• Art and Rhetoric in Roman Culture
• Verdi and the French Aesthetic
• The History of Music
• The Ballet Collaborations of Richard Strauss