Recursos

• Feminist Views on the English Stage
• Landscape, Natural Beauty and the Arts
• Screen plays
• The Musical World of a Medieval Monk
• Berlioz
• The Crafty Art of Opera
• Charles Villiers Stanford
• The Pro Arte Quartet
• The Comic Storytelling of Western Japan
• The Woodcutters of the Netherlands in the Fifteenth Century
• The Rood in Medieval Britain and Ireland, c.800-c.1500
• Allen Brown's English Castles
• The History of Music
• Democratising Beauty in Nineteenth-Century Britain
• English Madrigals on the Jesuit Stage
• Sophiatown
• Sophocles: 'Ajax'
• A Tanner's Worth of Tune
• Nikolay Myaskovsky
• Staging Memory and Materiality in Eighteenth-Century Theatrical Biography
• Greek Tragedy After the Fifth Century
• Shakespeare, Music and Performance
• A Treatise on the Decorative Part of Civil Architecture
• Memoirs of the Life of David Garrick, Esq.
• The Performance Reception of Greek Tragedy in Ancient Theatres
• Gluck und die Oper
• Hugo Wolf and the Wagnerian Inheritance
• Ira Aldridge
• Montaigne and Shakespeare
• Poems
• Popular Music in Brazil
• Playing Companies and Commerce in Shakespeare's Time
• The punk rock politics of Joe Strummer
• Music and Ceremonial at British Coronations
• Shakespeare in Performance
• Shostakovich Studies
• Strolling Players of Empire
• Orchestral Masterpieces under the Microscope
• Cavell's 'Must We Mean What We Say?' at 50
• The Royal Court Theatre and the Modern Stage
• The Cambridge Handbook of the Psychology of Aesthetics and the Arts
• The Art of Defiance
• Four Centuries of Women's Musical Salons
• Kant's Theory of Taste
• Margaret Bonds: 'The Montgomery Variations' and Du Bois 'Credo'
• Palestrina and the German Romantic Imagination
• CageTalk
• Planning in a Failing State
• The History of the Royal Academy of Music
• The Montpellier Codex