Recursos

• Finding Queensland in Australian Cinema
• From Silence to Sound 'Beethoven's Beginnings'
• A Brief Description of the Holy Sepulchre Jerusalem and Other Christian Churches in the Holy City
• The Year that Made the Musical
• Handel's Oratorios and Eighteenth-Century Thought
• The Lied at the Crossroads of Performance and Musicology
• Life of Benjamin Robert Haydon, Historical Painter
• Understanding the Leitmotif
• Conductors in Britain, 1870-1914
• The Passions in Play
• Varieties of Musical Irony
• Letters of Gerald Finzi and Howard Ferguson
• Caryl Churchill's Eco-Socialist Feminism
• Music and Morals
• Holocaust Drama
• The Royal College of Music and its Contexts
• Music in Early Christian Literature
• The Genuine Works of William Hogarth
• Boulez in Context
• The Improvisation of Musical Dialogue
• Dreams of disconnection
• African Theatre 13
• Lebanon and the Split of Life
• A General History of the Science and Practice of Music
• Remaking the urban
• British Music, Musicians and Institutions, c. 1630-1800
• The Collected Works of William Morris
• The Brecht Yearbook / Das Brecht-Jahrbuch 46
• The Bjorling Sound
• Music and Time
• Robert Willis (1800-1875) and the Foundation of Architectural History
• The House of Truth and Bloke and His American Bantu
• Music, Sound and Space
• A History of Stringed Keyboard Instruments
• Empire, Extraction and Power in the Festivals of Britain of 1951 and 2022
• New York Klezmer in the Early Twentieth Century
• Music for St Cecilia's Day: From Purcell to Handel
• Music in the Seventeenth Century
• Beyond the Happening
• Music and Musicians in Late Mughal India
• The Heroic in Music
• Correspondence and Table-Talk
• Concert Room and Orchestra Anecdotes of Music and Musicians, Ancient and Modern
• Orlando di Lasso Studies
• Javanese Gamelan and the West
• Memoirs of the Life and Writings of the Abate Metastasio
• Theorie der musischen Künste der Hellenen
• Mozart in Context
• The Way to Isfahan and Passing through Muscat
• Musical Memories