Recursos

• DEFA after East Germany
• American Popular Music in Britain's Raj
• Engaging Bach
• The Works of John Ruskin
• African Dream Machines
• Mussolini's Theatre
• Performance and the Middle English Romance
• Journals and Correspondence of Lady Eastlake
• Staging Conventions in Medieval English Theatre
• Eyewitness to Old St Peter's
• Law, Ethics, and the Visual Arts
• The Making of the West End Stage
• Aaron Copland and the American Legacy of Gustav Mahler
• Puccini in Context
• Liszt's Final Decade
• Organ-building in Georgian and Victorian England
• Benjamin Britten and Russia
• Marie Duval
• The 'Rhesus' Attributed to Euripides
• Theatrical Reenactment in Pindar and Aeschylus
• Ancient Greece on British Television
• Summa Musice
• Irony and Sound
• Sketches of the History of Christian Art
• Marianna Martines
• Chopin: Pianist and Teacher
• Queering Acts of Mourning in the Aftermath of Argentina's Dictatorship
• Beethoven Studies 4
• Benjamin Britten in Context
• Palissy the Potter
• The Invention of Norman Visual Culture
• Wagner Studies
• Memoirs of the Life and Writings of the Abate Metastasio
• Elliott Carter's String Quartet No. 1
• Travels in Southern Europe and the Levant, 1810–1817
• Vanguardia
• The Story of Giuseppe Verdi
• French Visual Culture and the Making of Medieval Theater
• Louise Farrenc: Nonet for Winds and Strings
• A General History of Music, from the Earliest Times to the Present
• String Virtuosi in Eighteenth-Century Naples
• Terror
• Performing Civility
• The Life of Sir Joshua Reynolds, Ll.D., F.R.S., F.S.A., etc., Late President of the Royal Academy
• Understanding the Old Hispanic Office
• The Psychology of Contemporary Art
• The Collected Works of William Morris
• Hamilton Harty
• The Aristoxenian Theory of Musical Rhythm
• Decolonizing images