Recursos

• The Music of the Nineteenth Century and its Culture
• Mozart: The 'Haydn' Quartets
• Performing Gender, Place, and Emotion in Music
• The Genius of Valhalla
• Romantic Music Aesthetics
• Faith by Aurality in China's Ethnic Borderland
• Selected Letters of Clive Bell
• The Collected Works of William Morris
• Medieval Clothing and Textiles 7
• Strauss: Also sprach Zarathustra
• Photography, Early Cinema and Colonial Modernity
• Music and the Sonorous Sublime in European Culture, 1680–1880
• The Engraved Gems of Classical Times
• Cupid in Early Modern Literature and Culture
• The Flageolet in England, 1660-1914
• Art, Faith and Place in East Anglia
• Twentieth-Century British Theatre
• The Cambridge Introduction to Comedy
• A Social and Economic History of the Theatre to 300 BC
• The Music of Frederick Delius
• Music Speaks
• Beethoven's Theatrical Quartets
• The Advancement of Music in Enlightenment England
• Pierre Boulez
• Bohemian Baroque
• Music in Vienna
• Six Lectures on Harmony
• Theatre of Nepal and the People Who Make It
• The Collected Works of William Morris
• The Collected Works of William Morris
• Wagner and Beethoven
• Italian Guitar Music of the Seventeenth Century
• The Present State of Ecclesiastical Architecture in England
• Music Scenes and Migrations
• W. A. Mozart: Idomeneo
• Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s
• Of Poetry and Song
• Music in North-East England, 1500–1800
• Better by Design
• Stravinsky in Context
• August Manns and the Saturday Concerts
• The Lewis Collection of Gems and Rings in the Possession of Corpus Christi College, Cambridge
• Film Stardom in South East Asia
• Sophocles: 'Oedipus the King'
• Women Writing Art History in the Nineteenth Century
• Commitment in the Artistic Practice of Aref El-Rayess
• Surveying the Anthropocene
• Old Saint Peter's, Rome
• Music Criticism in France, 1918–1939
• Recollections of the British Institution for Promoting the Fine Arts in the United Kingdom