Recursos

• Fifty Years of Work without Wages
• Representing Non-Western Music in Nineteenth-Century Britain
• Welcome to the club
• Music on the Shakespearian Stage
• Performing Oaths in Classical Greek Drama
• The Saxophone Symposium
• Emma and Claude Debussy
• The Marks of a Maestro
• The Life of Ludwig van Beethoven
• Janácek Studies
• The Music of American Folk Song
• Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean
• Children of the Queen's Revels
• Drama in the Music of Franz Schubert
• Three Modes of Perception in Mozart
• A History of Garden Art
• Mahler in Context
• Olivier Messiaen's Turangalîla-symphonie
• Art, Knowledge, and Papal Politics in Medieval Rome
• Robert Schumann: Piano Concerto
• Yorùbá Music in the Twentieth Century
• Performing Anti-Slavery
• Messiaen: 'Quatuor pour la fin du temps'
• Rhythm in Art, Psychology and New Materialism
• Decoding Homes and Houses
• Rhythms of Labour
• Sibelius: Symphony No. 5
• The Twelve-Tone Music of Luigi Dallapiccola
• A Glossary of Terms Used in Grecian, Roman, Italian, and Gothic Architecture
• The Life of Franz Schubert
• The Music of Joseph Joachim
• Memoirs of the Life of John Constable, Esq., R.A.
• Bach and Mozart
• Plays by Susan Glaspell
• The Frame in Classical Art
• The Recollections and Reflections of J. R. Planché
• The Troubadours
• Letters of an Architect from France, Italy and Greece
• Exploring Bach's B-minor Mass
• The Philosophy of Music
• Kunqu Masters on Chinese Theatrical Performance
• The Works of John Ruskin
• The Art of Inpainting
• Dance and Drama in French Baroque Opera
• Concrete Vaulted Construction in Imperial Rome
• Music in 1853
• The Making of Medieval Rome
• Theatre and State in France, 1760-1905
• Schoenberg: ‘Night Music' – 'Verklärte Nacht and Erwartung'
• Beethoven's Conversation Books