Recursos

• The Fifteenth Century XVI
• Remarkable Bindings in the British Museum
• Performance and Politics in Popular Drama
• Memorials of Edinburgh in the Olden Time
• The Collected Works of William Morris
• Monteverdi: Vespers (1610)
• Communication in Eighteenth-Century Music
• International law in Europe, 700–1200
• Piano-Playing Revisited
• The Operas of Maurice Ravel
• Nothing but the Truth
• Mountainous Sound Spaces
• Some Account of Domestic Architecture in England
• African Theatre: Contemporary Dance
• Schenker's Interpretive Practice
• Music and Victorian Liberalism
• The Musical Work of Nadia Boulanger
• Greek and Latin Music Theory
• Adorno's Aesthetics of Music
• Music of the Middle Ages
• History of English Drama, 1660–1900
• Typographia, or The Printers' Instructor
• Viewing America
• Melodies and Memories
• The Life and Music of Elizabeth Maconchy
• A Concise History of Music
• The Ashburnham Pentateuch and its Contexts
• Vocal Authority
• A Theoretical Approach to Modern American History and Literature
• A Treatise on the Science of Music
• The Theatre of Sam Shepard
• David Garrick and the Mediation of Celebrity
• Music Education and the Art of Performance in the German Baroque
• Haydn Studies
• The Bewick Collector
• Michelangelo's Art of Devotion in the Age of Reform
• The Cambridge Introduction to Scenography
• City Songs and American Life, 1900–1950
• Nadia Boulanger and the Stravinskys
• Music and Politics
• Rethinking Difference in Music Scholarship
• Performative monuments
• The Aesthetic and Miscellaneous Works of Frederick von Schlegel
• María Irene Fornés In Context
• My Musical Life
• Crafting identities
• Holst: The Planets
• Musical Response in the Early Modern Playhouse, 1603–1625
• Louis Spohr’s Autobiography
• The Plays of David Hare