Recursos

• Patrick van Rensburg
• With Mornefull Musique: Funeral Elegies in Early Modern England
• Twentieth-Century Models of the Theatrical Work
• Cinema at the Margins
• Reading Fiona Sampson
• Stravinsky's Piano
• Music and Religion in the Writings of Ian McEwan
• The Life and Music of Gérard Grisey
• The Music of Frank Bridge
• Theater in the Middle East
• The Art of Iran in the Twentieth and Twenty-first Centuries
• Music Technology
• Opera
• Performing Endurance
• The Correspondence of Richard Bentley
• Benigno Zerafa (1726-1804) and the Neapolitan Galant Style
• Iranian Art from the Sasanians to the Islamic Republic
• Reliquary Tabernacles in Fourteenth-Century Italy
• Designing Memory
• György Kurtág
• The Courage of Composers and the Tyranny of Taste
• The Death of Myth on Roman Sarcophagi
• Schumann
• Memoirs of the Life of David Garrick, Esq.
• The Orchestral Revolution
• Musical Studies
• Observations on the Coasts of Hampshire, Sussex, and Kent
• She played and sang
• The Careers of British Musicians, 1750–1850
• The Politics of Irish Drama
• The Collected Works of William Morris
• Wagner as I Knew Him
• Paul Dukas
• Beethoven's Letters
• Sir John Soane: The Royal Academy Lectures
• Memoir of Gabriel Beranger, and his Labours in the Cause of Irish Art and Antiquities, from 1760 to 1780
• Tactus', Mensuration and Rhythm in Renaissance Music
• American Performance in 1976
• The Life of Sir Joshua Reynolds, Ll.D., F.R.S., F.S.A., etc., Late President of the Royal Academy
• Bedrich Smetana
• Art + Archive
• Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1772, on Several Parts of England
• The Mendelssohn Family (1729–1847)
• An Encyclopaedia of Architecture
• Clara Schumann Studies
• Beethoven's Conversation Books
• The Bayeux Tapestry and Its Contexts
• Mary Gladstone and the Victorian Salon
• Art and Identity in Scotland
• Don't Forget about Me