Recursos

• Ignition: Beethoven
• Eighteenth-Century Aesthetics and the Reconstruction of Art
• Romanticism in the Shadow of War
• Letters I Never Mailed
• Organising Music
• New Music at Darmstadt
• Structural Analysis
• The Brecht Yearbook / Das Brecht-Jahrbuch 42
• Elgar the Music Maker
• Mozart: The 'Jupiter' Symphony
• Hogarth's London
• Mozart's Chamber Music with Keyboard
• The Collected Works of William Morris
• Euripides' 'Medea'
• The Musical Instruments of the Indigenous People of South Africa
• Writing Sounds in Carolingian Europe
• Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller
• The Theatre Industry in Nineteenth-Century France
• Chant, Liturgy, and the Inheritance of Rome
• The Poetics of Performance Diagrams
• Primitive Music
• Delius and his Music
• Bach: The Goldberg Variations
• Formal Functions in Perspective
• Observations on the Western Parts of England, Relative Chiefly to Picturesque Beauty
• Richard Wagner's Letters to his Dresden Friends
• Re-Reading Poetry
• The Theatre in America during the Revolution
• The Cambridge Introduction to Chekhov
• The Beatles: Sgt. Pepper's Lonely Hearts Club Band
• Catechism of Musical Aesthetics
• Britten's Musical Language
• Shakespeare the Bodger
• Infrastructural Times
• A Companion to
• A Companion to American Art
• A Companion to Art Theory
• A Companion to Asian Art and Architecture
• A Companion to Australian Art
• A Companion to British Art - 1600 to the Present
• A Companion to Chinese Art
• A Companion to Contemporary Art in a Global Framework
• A Companion to Contemporary Design since 1945
• A Companion to Contemporary Drawing
• A Companion to Curation
• A Companion to Dada and Surrealism
• A Companion to Feminist Art
• A Companion to Illustration - Art and Theory
• A Companion to Impressionism
• A Companion to Islamic Art and Architecture