Recursos

• Autobiographical Recollections of Charles-Marie Widor
• Schoenberg and Redemption
• Leon Kirchner
• Avant-Garde on Record
• Ralph Vaughan Williams and Adrian Boult
• The Music of James MacMillan
• A Dictionary of Music and Musicians (A.D. 1450–1880)
• Ukufa kukaShaka
• The Art of Musical Phrasing in the Eighteenth Century
• The Kecak and Cultural Tourism on Bali
• Studies of Great Composers
• The Pursuit of High Culture
• Bach: The Cello Suites
• Image-Thinking
• Music, Politics and Society in Ancient Rome
• Public Painting and Visual Culture in Early Republican Florence
• Ancient Theatre and Performance Culture Around the Black Sea
• Art and the Arab Spring
• The Theatrical Public Sphere
• Vitruvius: 'Ten Books on Architecture'
• The Third or Transition Period of Musical History
• Rossini and Post-Napoleonic Europe
• Music, Subjectivity, and Schumann
• John Kirkpatrick, American Music, and the Printed Page
• The Music and Thought of Michael Tippett
• Julian Anderson
• Music and Manners in France and Germany
• Harmony in Chopin
• Performance Practice in the Music of Steve Reich
• The Crossings
• Hanns Eisler's Art Songs
• The Fabric Accounts of St Stephen's Chapel, Westminster, 1292–1396
• Acts of Transgression
• The Life and Letters of Sir John Everett Millais
• Integrated Land Use and Transport Modelling
• Modernity in Black and White
• Real Theatre
• Opera in the Viennese Home from Mozart to Rossini
• Bartolomeo Cristofori and the Invention of the Piano
• Fashioning the Dandy
• Art and Ideology in European Opera
• J. S. Bach
• The Performance of Nationalism
• Troubadour Poems from the South of France
• Shakespeare as a Dramatic Artist
• Instrumental Music in Late Eighteenth-Century Naples
• Händel und Shakespeare
• Heiner Goebbels and Curatorial Composing after Cage
• Yeats on Theatre
• Vaughan Williams in Context