Recursos

• Contemporary Screen Ethics
• The Bible on Silent Film
• Tell Our Story
• ReFocus: The Literary Films of Richard Brooks
• Media Smart
• Citizen Cowboy
• Film Regulation in a Cultural Context
• The Commercial Appropriation of Personality
• Film Copyright in the European Union
• Film Viewing in Postwar Japan, 1945-1968
• Understanding Cinema
• The Films of Michelangelo Antonioni
• Language Awareness in Business and the Professions
• From Empire to the World
• Music Video and the Politics of Representation
• After Broadcast News
• ReFocus: The Films of Ken Russell
• The Films of Jean-Luc Godard
• TV and Cars
• Towards an Intermedial History of Brazilian Cinema
• Rhizome vs Regime
• A History of Three-Dimensional Cinema
• Public Reaction to Supreme Court Decisions
• Antonio Pietrangeli, The Director of Women
• The Figure of the Terrorist in Literature and Visual Culture
• American Documentary Film
• Improving Passions
• Literature and Film in the Third Reich
• Rethinking Brechtian Film Theory and Cinema
• Representational Style in Congress
• Indie Reframed
• In Secrecy's Shadow
• Hollywood and the Great Depression
• The Ethnographer's Eye
• Jacques Rancière and the Politics of Art Cinema
• Screen Writings
• My Self on Camera
• Nazi Cinema as Enchantment
• American Postfeminist Cinema
• Gender and Sexuality in East German Film
• Creativity and resistance in a hostile world
• Terror
• ReFocus: The Films of João Pedro Rodrigues and João Rui Guerra da Mata
• Martin Scorsese's Raging Bull
• The Colonial Documentary Film in South and South-East Asia
• ReFocus: The Films of Joachim Trier
• Celluloid Singapore
• Memento
• The Cinema of Theo Angelopoulos
• Cinema, Culture, Scotland