Recursos

• The Practice of Argumentation
• Rethinking Media Research for Changing Societies
• Public information films
• Film Adaptations of Russian Classics
• The Films of Woody Allen
• Australian media and the politics of belonging
• Hamlet' and World Cinema
• Television Policy
• American Cinema in the Shadow of 9/11
• African Islands
• Contemporary Japanese Cinema Since Hana-Bi
• Why Writing Still Matters
• ReFocus: The Films of Preston Sturges
• Media Rights and Intellectual Property
• The Cædmon Manuscript
• The American Counterculture
• Contemporary British Horror Cinema
• Nordic Genre Film
• Degrees of Democracy
• Losing Pravda
• Screen Writings
• Unhomely Cinema
• Main Melody Films
• Deepening the Understanding of Social Media's Impact in Southeast Asia
• The British working class in postwar film
• Portuguese Cinema (1960–2010)
• E-Government for Good Governance in Developing Countries
• The Anthem Handbook of Screen Theory
• Computational Analysis of Storylines
• Female Authorship and the Documentary Image
• Journey to Poland
• Hollywood Remakes of Iconic British Films
• A Handbook for Media Librarians
• The People’s Paper
• Imagining Surveillance
• Aesthetic evaluation and film
• Sean Connery
• We Interrupt This Newscast
• The Winning Message
• Italian Horror Cinema
• Ovid on Screen
• Post-beur Cinema
• The Cambridge Handbook of Group Interaction Analysis
• Action!
• Television in the Streaming Era
• Nineteenth-Century American Fiction on Screen
• Alain Robbe-Grillet
• Comparative Defamation and Privacy Law
• Eclipsed Cinema
• Indian Documentary Film and Filmmakers