Recursos

• A Companion to Julian of Norwich
• Court Reporting in Australia
• Michael Mann - Cinema and Television
• Coming-of-Age Cinema in New Zealand
• Rebel Journalism
• The Films of Mike Leigh
• Special Affects
• Film Noir
• Narrative and Media
• D.W. Griffith’s The Birth of a Nation
• Palestinian Cinema
• Myth of the Western
• Last Features
• Indelible Shadows
• Media Discourse
• Polish Cinema in a Transnational Context
• Ambiguous Cinema
• The Cinema of Ozu Yasujiro
• María Félix
• Shakespeare and British World War Two Film
• The Party Politics of Presidential Rhetoric
• British art cinema
• Health and Healing from the Medieval Garden
• Making Information Matter
• The Films of Federico Fellini
• Jacques Rivette
• Masculinity and Italian Cinema
• Modern European cinema and love
• Far-Flung Families in Film
• Irish cinema in the twenty-first century
• Roberto Rossellini's 'Rome Open City'
• Online Journalism
• An Alternative Internet
• Digital Divide
• Shakespeare and World Cinema
• Politics, Media and Campaign Language
• The Early Years of Television and the BBC
• Vampires in Silent Cinema
• Humphrey Burton In My 'Own Time'
• Comparing Media Systems Beyond the Western World
• Montage as Perceptual Experience
• The Commercial Appropriation of Fame
• New Korean Cinema
• Failed Masculinities
• Film, Hot War Traces and Cold War Spaces
• Image and Mind
• Navigating the Kingdom of Night
• Democracy and the Media
• Scottish Newspapers, Language and Identity
• Race, Nation and Cultural Power in Film Adaptation