Recursos

• The 'War on Terror' and American Film
• European Broadcasting Law and Policy
• The WTO and Global Convergence in Telecommunications and Audio-Visual Services
• The Sense of Place in Contemporary Cinema
• Ingmar Bergman's 'Persona'
• Meta in Film and Television Series
• Contemporary Action Cinema
• ReFocus: The Films of Kim Ki-young
• Taxidermy and the Gothic
• The Greatest of All Time
• Resonant Bodies in Contemporary European Art Cinema
• Transnational Crime Cinema
• Jean Cocteau
• Woman as Spectator and Spectacle
• Ethics and the Media
• Places and Spaces of Crime in Popular Imagination
• Language and Television Series
• Chow Yun-fat and Territories of Hong Kong Stardom
• States of danger and deceit
• New Taiwanese Cinema in Focus
• Dialogue, Argumentation and Education
• Global Corpse Politics
• William Morris's Utopia of Strangers
• News Media Translation
• The 'I' of the Camera
• Transnational Kaiju
• The Social Psychology of Perceiving Others Accurately
• Tobacco Control and Tobacco Farming
• Evolving Regional Economies
• Film City Urbanism in India
• Ghetto Voices in Contemporary German Culture
• Digital Diasporas
• The art of the observer
• The rise of devils
• Communicating COVID-19 Effectively in Malaysia
• Around the World in Eighty Days
• Inside Soviet Film Satire
• Cyber Troops, Online Manipulation of Public Opinion and Co-optation of Indonesia's Cybersphere
• Shakespearean Star
• Breaking the Silence
• Francis Ford Coppola's 'The Godfather Trilogy'
• Making Publics, Making Places
• The Feel-Bad Film
• Chaka
• Creative Practice Research in the Age of Neoliberal Hopelessness
• Amal’ezulu
• Media Concentration and Democracy
• ReFocus: The Films of Susanne Bier
• The Cinema of Disorientation
• Mediating Multiculturalism