Recursos

• The "Lives" and Writings of Edith Rickert (1871-1938)
• Latinidad and Film
• Online Hate on Social Media
• Performative Representation of Working-Class Laborers
• Creole Cultures, Vol. 2
• William Gibson's "Neuromancer"
• Digital-Environmental Poverty
• Apes and Monkeys on the Early Modern Stage, 1603–1659
• HIV/AIDS in Memory, Culture and Society
• Issues and Singularity in the British Media Volume 1
• Cyborgs, Ethics, and The Matrix
• Neuro-Futurism and Re-Imagining Leadership
• Staging Deaf and Hearing Theatre Productions
• The Poesy of Scientia in Early Modern England
• The Emergence of the Digital World
• Romanticism, Liberal Imperialism, and Technology in Early British India
• Musical Scenes and Social Class
• Reading Justice Claims on Social Media
• 'The Bird Who Sang the Trisagion' of Isaac of Antioch
• Refugees and the Media
• Issues and Singularity in the British Media Volume 2
• Television Studies and Research on Series
• Conspiracy Ideologies in Films and Series
• The Art of Effective Science Communication
• The American Climate Emergency Narrative
• Reintegrating Severance
• Home and Homeland in Asian Diaspora
• Nordic Joyce
• The Vacuum Cleaner
• Teenage Audiences and British Period Drama
• The Campus Queen in Literature and Culture
• Life Writing and Transcultural Youth in Contemporary France
• British Women’s Writing from Brontë to Bloomsbury, Volume 3
• Human Entanglement Theory
• Reality Television and the Art of Trivialising Work Health, Safety and Wellbeing
• Archive as Detour
• The Crusades and Nature
• Television Drama from Germany
• Messages from the Moon
• Performing Factuality in John Dunton’s Athenian Cosmos
• Governing Social Virtual Reality
• Swedish Children’s Cinema
• British Newspaper Strips
• Charlotte Brontë and Contagion
• First Nations Australian Theatre for Health Equity
• Breaking Free
• Music in Films about the Shoah
• Queering Polishness in Polish Theatre Since 2005
• The Theory, History, and Practice of Parrhesia
• Rethinking Displays of Chinese Contemporary Art