Recursos

• Ninth Art. Bande dessinée, Books and the Gentrification of Mass Culture, 1964-1975
• Salvador Allende and the Villa San Luis
• Discursive Approaches to Politics in Malaysia
• ”Nomadity of Being” in Central Asia
• Media Representations of Macau’s Gaming Industry in Greater China
• Cultural Interactions of English-Medium Instruction at Vietnamese Universities
• Modernist Waterscapes
• Rethinking Film Festivals in the Pandemic Era and After
• Archives and Records
• Dangerous Bodies
• Adaptation Before Cinema
• Book Markets in Mediterranean Europe and Latin America
• Being as Relation in Luce Irigaray
• Ethnic Religious Minorities in Iran
• Game of Thrones - A View from the Humanities Vol. 2
• Women Filmmakers in Contemporary Hindi Cinema
• The Book’s Road in the Age of Digitization
• Penny Dreadful and Adaptation
• Masks and Human Connections
• From Outlaw to Rebel
• Screen Media and the Construction of Nostalgia in Post-Socialist China
• Understanding and Translating Chinese Martial Arts
• The Spirit of Individualism
• Transmedia/Genre
• The Post-Soul Cinema of Kasi Lemmons
• The Medial Afterlives of H.P. Lovecraft
• Sexual Diversity in Young Cuban Cinema
• Different Global Journalisms
• New Media in the Margins
• Engaging with Brecht
• Infodemic Disorder
• Digital Restoration and Virtual Reconstructions
• Studio Ghibli
• Electronic Sports Industry in China
• Health Humanities in Application
• Chihera in Zimbabwe
• Morphogenesis of Symbolic Forms: Meaning in Music, Art, Religion, and Language
• Converged Radio, Youth and Urbanity in Africa
• Ursula K. Le Guin’s "A Wizard of Earthsea"
• Varieties of Cooperation
• Discussing Trump’s America Online
• Entrepreneurship in the Creative Industries
• Screening Ulster
• Digital Feeling
• American Science Fiction Television and Space
• Object Studies
• Word Art + Gesture Art = Tone Art
• Detoxing Masculinity in Anglophone Literature and Culture
• Selling Public Policy
• Border Ecology