Recursos

• Reading Slaughter
• Performing Against Annihilation
• Production Design & the Cinematic Home
• Online journalism
• British Encounters with Ottoman Minorities in the Early Seventeenth Century
• Campus Cinephilia in Neoliberal South Korea
• Poe, Queerness, and the End of Time
• Unions, Strikes, Shaw
• The Cultural Politics of Femvertising
• Pandemics and Epidemics in Cultural Representation
• Practice as Research in the Arts (and Beyond)
• New Perspectives in Critical Data Studies
• Digital Platform Regulation
• Digital Activism in Russia
• Photography and Resistance
• Modernist Circumnavigations
• Adversarial Political Interviewing
• Environment, Media, and Popular Culture in Southeast Asia
• Uday Shankar and His Transcultural Experimentations
• A Critical Companion to Neil Gaiman's "Neverwhere"
• Indigenous African Popular Music, Volume 1
• Representations of Poverty in Videogames
• Time in Romantic Theatre
• Contemporary Women’s Ghost Stories
• Gothic Romanticism
• The Ministry of Truth
• Frances Burney and the Arts
• Legibility
• Rethinking Horror in the New Economies of Television
• Mapping selfies and memes as Touch
• Misinformation and Disinformation
• Indigenous African Popular Music, Volume 2
• Arts Management, Cultural Policy, & the African Diaspora
• Convergent Chinese Television Industries
• Gender-Based Violence in South-East Asia
• Seeing Comics through Art History
• Feminist Literary and Cultural Criticism
• Wallace Stevens and Martin Heidegger
• Beer and Brewing in Medieval Culture and Contemporary Medievalism
• Memory Archipelago of the Communist Past
• The Red Letter at the Music Hall
• Methodologies of Affective Experimentation
• The Diversity Of Worldviews Among Young Adults
• Gender, Displacement, and Cultural Networks of Galicia
• Gender and Politics in Post-Reformasi Indonesia
• ASEAN Maritime Security
• Short Stories, Knowledge and the Supernatural
• The 2019 European Electoral Campaign
• The Poetic Music of Wallace Stevens
• Neo-Victorian Things