Recursos

• Genesis and Revision in Modern British and Irish Writers
• Consumer Nationalism and Barr’s Irn-Bru in Scotland
• Trauma, Precarity and War Memories in Asian American Writings
• The Modernist Screenplay
• Transnational Perspectives on Artists’ Lives
• Bernard Shaw and the Censors
• The Evolution of Same-Sex Attraction
• The River Fans Out
• Architectural Space and the Imagination
• Contemporary American Literature and Excremental Culture
• The Modern Irish Sonnet
• Violeta Parra’s Visual Art
• Black British Women's Theatre
• Reading Affect in Post-Apartheid Literature
• Humanism, Drama, and Performance
• The Independence of the News Media
• The New Urban Gothic
• Xiangsheng and the Emergence of Guo Degang in Contemporary China
• Exploring the Spatiality of the City across Cultural Texts
• Disney Stories
• Quentin Tarantino and Film Theory
• A Feminist Reading of China’s Digital Public Sphere
• Anti-Humanism in the Counterculture
• Digital Theatre
• Palgrave Advances in John Clare Studies
• Public Service Broadcasting and Post-Authoritarian Indonesia
• Games and Gaming in Early Modern Drama
• Affirmative Aesthetics and Wilful Women
• Media and Conflict in the Social Media Era in China
• Rethinking Art and Visual Culture
• A History of East African Theatre, Volume 1
• Female Agencies and Subjectivities in Film and Television
• Utopia in Practice
• Collaborative Praxis and Contemporary Art Experiments in the MENASA Region
• Places of Traumatic Memory
• Sandscapes
• Wide Sargasso Sea at 50
• National Cultures and Foreign Narratives in Italy, 1903–1943
• Applied Theatre and Sexual Health Communication
• How We Use the Media
• Art and Dance in Dialogue
• Romance and Power in the Hollywood Eastern
• Celebrity Memoir
• Robert De Niro at Work
• Masculinity in the Work of Elizabeth Gaskell
• The Transmedia Franchise of Star Wars TV
• Transpacific Literary and Cultural Connections
• 100 British Crime Writers
• Human Rights Journalism and its Nexus to Responsibility to Protect
• Empathetic Memorials