Recursos

• Schoenberg and Hollywood Modernism
• Continuity and Crisis in German Cinema, 1928-1936
• The Tender Gaze
• The classic novel
• Images at the Crossroads
• Framing Empire
• Class, Language, and American Film Comedy
• Congress as Public Enemy
• Visconti
• A Virtuous Circle
• ReFocus: The Films of Lucrecia Martel
• Francophone Belgian Cinema
• Restoration Scotland, 1660-1690
• Journeys on Screen
• Screen Presence
• Political Disagreement
• Alfred Hitchcock's 'Rear Window'
• Tides of Consent
• Female Agency and Documentary Strategies
• Alejandro Amenábar
• The Coen Brothers' 'Fargo'
• Worrier state
• Screening Statues
• From Torrent to Trickle
• Going Local
• Talkies, Road Movies and Chick Flicks
• Media Ethics and Global Justice in the Digital Age
• Film Structure and the Emotion System
• The looking machine
• The Scholarly Communication Handbook
• The Handbook of Journal Publishing
• When Opera Meets Film
• African Filmmaking
• Italian Film
• Luc Besson
• On the Figure in General and the Body in Particular
• The Politics of Misinformation
• Ira Aldridge
• Politics and Performance in Post-Dictatorship Argentine
• Ozu's 'Tokyo Story'
• ReFocus: The Films of William Wyler
• India's State-run Media
• Post-Broadcast Democracy
• Stars, Fan Magazines and Audiences
• Derivative Images
• Copyright Exceptions
• Political Communication and Mobilisation
• Alain Resnais
• Power and Loss in South African Journalism
• Tides of Consent